Here is a cupboard with ajar door and birches around it. And buttercups are blooming even though it is too early for them to appear. Interesting, what’s in the closet? Old fur coats? Skeletons? It looks awkward — the door with a mirror is parallel to me, but there is no reflection in it.
It looks like there are no skeletons. Or maybe this is not a mirror, or you are no longer there yourself. And the whole “April story” does not belong to anyone.
And this place is always empty, although someone had to keep watch over it.
Special paper for artistic productions.
Every paper print has a signature of the artist.
Waterproof, plastic, easy to pull on the stretcher.
Each print on canvas has a serial number and a personal signature of the author..
The artist, using his own technology, finishes the canvas by hand using paints and other materials. This approach allows you to create a three-dimensional surface, apply "live" strokes, show the texture of the canvas, imitate the aging of a painting, or achieve other special effects.
The giclee is produced in a limited edition, has the number of the author's series and the personal signature of the author.
Линзовый материал нового поколения для печати стерео-варио масштабирования и других эффектов. Имеет две поверхности, одна из которых гладкая глянцевая, а другая представляет собой полосы выпуклых цилиндрических линз. Линзы преломляют световые лучи и таким образом, фокусируют и проецируют изображение.
Каждый Лентикуляр имеет номер авторской серии и личную подпись автора.
For packing prints on canvas without stretchers and prints on paper without mats, we use cardboard tubes with plastic lids. The tube protects the reproduction during transportation - it will not allow the picture to wrinkle or tear. It is also the most economical type of delivery.